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Monday, June 29, 2020

65. Have a Cigar by Pink Floyd


"Have a Cigar" by Pink Floyd

Written by Roger Waters
Produced by Pink Floyd
Released on Wish You Were Here (September 12, 1975)
Released as a single on November 15, 1975
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Note: this post has two parts. Part I is about the song. Part II is about a protest march I took part in that became a national news story. I will not be offended if you read one part but not the other. I just felt like I needed to document what I experienced, and this seemed like the easiest way to do it.

Part I: The Song


As a young teenager first diving into the world of classic rock, the line "...and by the way, which one's Pink?" seemed like the most clever lyric ever written. The band is Pink Floyd, but none of the members had that name. Didn't this guy realize that?

"Have a Cigar" is currently my favorite Pink Floyd song. As part of the Wish You Were Here album, it tells the story of a band being courted by a sleazy record executive from the perspective of the executive (famously sung by Roy Harper who was not a member of the band). If not for the existence of Biz Markie (who you'll meet later in the list), this satirical masterpiece would probably be the closest thing to a "funny" song on my top 100.

What really helped me fall in love with "Have a Cigar" was the outro guitar solo. David Gilmour is a master. Most people would rate his solo on "Comfortably Numb" as his best (some even go so far as to rate it as the greatest guitar solo of all time). It's hard to argue with that assessment, but this solo is magical in its own way.

As the song and the guitar solo comes to an end, rather than a traditional fade out, the band added an effect that essentially warped this from a hi-fi stereo recording to something that sounded like it was coming through the worst, tinniest single speaker in existence. All of a sudden the listener is hearing the song on the radio on the radio (if that makes sense). If you listen to the album, when the track ends, it sounds like they literally just changed the radio dial in search of something new.

To me, a young teenager diving into the world of classic rock, this was a brand new level of brilliance. I was no longer simply listening to a song, I was a part of a larger experience. Concept albums don't always work, but Pink Floyd had figured out some secret to making everything come together. Pink Floyd is the perfect music for a teenager looking for meaning and relevance in the music they are listening to. The first time listening to one of their albums feels like joining a secret club of cool, smart people. I don't pretend to be cool or smart, but there is a special, magical, powerful feeling that comes from that experience.

Being introduced to Pink Floyd's music for the first time felt important. That is why I know that Pink Floyd's music will be around a lot longer than I will. I know I'm not the first teenager who dove into Pink Floyd's catalog with a sense of awe and wonder, and I know I won't be the last.

Right now, "Have a Cigar" by Pink Floyd is (probably) my 65th favorite song of all time.

Part II: The Protest


Since the killing of George Floyd, I have felt the need to do my part to support the Black Lives Matter movement. For a number of reasons, I did not march or actively participate during the protests that followed the killing of Michael Brown in Ferguson in 2014. There were a few times I thought about driving up to Ferguson to see what was happening, but I ultimately decided not to. I wasn't sure I would end up being more than an observer, and that's not what was needed. What was needed then, and is still needed now, are people ready to be change agents and people willing to exercise their first amendment rights to protest a system that disproportionately targets and punishes minorities.

I am still trying to figure out my place and purpose in this struggle. I have now participated in three protest marches this summer in the St. Louis area. The first was a march organized by local students that went through some of the wealthier suburbs in west St. Louis county. Some people I worked with were there too. The next was a march in St. Charles that I went to with a couple of colleagues and a few of my students. Most recently I marched in the Central West End neighborhood of St. Louis city. For this march I was alone.

All three marches were largely peaceful. During the first march, many of the houses and businesses we passed were holding up signs of support and handing out water and snacks (including, I'm proud to say, my employer). During the march in St. Charles, the group made their way towards the highway and were greeted by about 50 police officers in full riot gear. Counting them and the other officers that were around, it felt like every single cop in St. Charles county had been called down to the protest. I even saw the SWAT team van. There was never a confrontation. The police stopped the traffic on that side of the highway, while the protesters stayed on the exit ramp. Eventually, the protest march turned around and headed back.

I definitely felt uncomfortable during that march when we were on the exit ramp by the highway. I stayed at the top of the exit ramp because I did not know what might happen at the front, and did not want to be caught in the middle of a potential confrontation. Also because there were additional police officers staging themselves on the other side of the exit ramp, it looked like they could have boxed us in. The police did not do anything like that, but this was a very new experience for me. I really didn't know what to expect or what to do. I am still very grateful for the protest organizers who kept things peaceful. I don't think I am ready to thank the police though. Their show of force did not help the situation. I understand why they wanted to keep the protesters off the highway, but the size and scope of their response seemed like overkill. I still baffles me how many instances we continue to see of police around the country responding to protests against excessive police force by using excessive force.

I was grateful for the people I knew who were with me. One of my colleagues helped put me at ease, and they also did a good job of keeping our students out of harms way and away from any potential confrontation. When I wanted to leave early, they were ultimately right in staying and helping keep me there too. The protesters wanted to be heard, and they were. Us leaving or staying didn't make a difference in the grand scheme, but my worst fears were never realized. Staying and being a part of that voice for justice and equality (even being in the back and out of the way) was a good thing.

So, last night I went to join a protest in the city. A couple of days ago, the mayor had read the names and addresses of a handful of activists while giving an address live online (using Facebook Live). While she did not do anything technically illegal, what she did was almost certainly not right. Vocal activists have been targeted in the past with death threats and violence. Giving potential bad actors easy access to activists' personal information is dangerous. The mayor apologized and took the video down, but the damage was done.

As a computer science teacher, this hit me hard. Part of what I teach is the responsible use of technology. Too many politicians do not seem to understand modern technology. This is true of politicians from all political parties. We still have people in Washington who somehow seem proud of the fact that they don't know how to use a desktop computer or how to send an email. It's sheer incompetence. The world is evolving rapidly, and we need representatives at all levels of government who understand modern technologies.

So, I felt the need to take part. This was a relatively small protest (about 400 people). We started in the commercial district in the Central West End with the goal of making our way to the mayor's residence. We started marching that way down Kingshighway where we were joined by another group of protesters. I had decided to stay near the back of the group in an effort to better practice social distancing. (I learned that this is not the best strategy since that's where the smokers hang out too.)

On our way down, I saw protesters turning onto a private gated community. I have been down in this area before and there are some private streets with public sidewalks that I have walked down before. This particular street is not that. Protesters had to break through a closed, locked gate to access the street. (Edit: It should be noted that the gate was unlocked. Protesters simply opened the gate and entered. After the fact, photos emerged showing that the gate had been broken, but all video evidence I have seen does not show protesters breaking the gate to enter the neighborhood. I was not close enough to see this at the time, so when I wrote this section, I simply parroted what was being reported immediately following the protest.) I was unsure about what was happening when someone behind me started yelling about a gun. I was still on Kingshighway, and I looked over the wall to see a man with an AR-15 style rifle standing on the porch of his giant mansion. I also saw a woman running around in front of the mansion pointing and yelling at protesters who were now on their street in front of their giant stone home. Because of where I was standing, I did not realize until later that this woman was pointing at them with a gun, finger on the trigger.

I was immediately afraid for the protesters. I assumed that because they were on a private street, they could be considered trespassers, and Missouri's Stand Your Ground laws could protect this armed couple if something happened. It was also very clear that this couple were not responsible gun owners. If you watch any of the videos taken by protesters, neither of the people holding the guns seemed to know how to properly handle the weapons they were brandishing. At various times, they both pointed their guns at each other without realizing what they were doing.

I still struggle to imagine why either of them thought it was wise to set foot outside their home at all. Their home is a giant stone building. They put themselves, their property, and everyone else in more danger just by stepping outside and mishandling their weapons. I am grateful that no one was hurt, but the more I revisit what I saw and watch the videos, I wonder how something didn't go horribly wrong.

I am privileged to say that I have never had a gun pointed at me. But when the man on the porch leveled his rifle towards the ground, even though I was behind a stone wall, and the gun was not pointed in my direction, I still felt my stomach drop. It was a sickening feeling. Even though I felt like I was out of harms way, many others were not. Yes, the protesters should not have damaged the gate, but the response from this couple was excessive and wrong. It only escalated the situation. They clearly wanted to assert their power, but they ended up looking like foolish children because of how they mishandled their chosen tools.

It was at that point that I realized that this was only a small group of protesters turning down this side street. Most of the group had continued up Kingshighway to the next intersection. I did not feel the need to have a gun pointed at me, so I left that road behind and joined the organizers at the front of the march who were making their way on a safer route to the mayor's house.

We stayed outside the mayors house for a while chanting and protesting. Eventually the barriers that had been put up in front of her house were taken down, but things stayed peaceful. My mom attends a church in that neighborhood. When I talked to her after I got home, she mentioned that the cars that are usually outside the mayor's house were gone. It seems that the mayor wasn't even at home while we were there.

Eventually the protest moved on. I marched on for another couple of blocks before turning around to get my car and go home. When I walked by the mayor's house again, I saw that some people were setting up stencils to paint the word "RESIGN" in big block letters in the street in front of her house.

At this point I am unsure whether I will participate in a protest march again. When I first decided to attend, I had hoped that maybe I could be a peaceful influence. Maybe my presence could help to deescalate and keep things from turning violent and confrontational. After participating, I realized that while I generally am even-keeled and am good at handling somewhat stressful situations, this  was something else entirely. Whether it was seeing the police display in St. Charles or that couple with their guns in the city, I was left somewhat frozen. It was too much for me to handle, and I felt helpless to find a way to be helpful in either situation.

Unfortunately, even as I have marched and chanted and listened during these marches, I still feel like more of an observer than an active participant. I feel separate and distanced.

I still very much support what people are marching for. Yes, too many people are killed by the police. Yes, too many of those victims are people of color. Yes, systemic racism needs to be eradicated from our communities, our country, and the world. Yes, the militarization of the police has gotten out of hand. Yes, we need to redistribute money towards social work, education, drug treatment, and rehabilitation efforts. I will continue to ask for these things and support those working to make that kind of change happen. Silence is compliance. I don't want to be just a casual observer on the side, but I feel even less sure of how to do that effectively.

This is not a show. This is not an event. This is real people dying and putting their lives on the line for what is right. Going along for the ride to watch the show is not enough either. I'm still trying to figure out what I can do. I hope anyone reading this is too.

Saturday, June 27, 2020

66. Cum On Feel the Noize by Quiet Riot


"Cum On Feel the Noize" by Quiet Riot

Written by Noddy Holder and Jim Lea
Produced by Spencer Proffer
Released on Metal Health (March 11, 1983)
Released as a single in July 1983
Peaked at #5 on Billboard Hot 100
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This song epitomizes all that is glorious about pop metal in the 1980's. It's a fun song with a mildly inappropriately spelled title, a fun video, and the greatest of all sing-a-long choruses every recorded. At the start, the chorus feels fairly typical with the backing vocalists overdubbed a couple of times. It's fun and effective.

By the end, they crank up the overdubs to the point that it sounds like an entire stadium of voices is singing along with the band. It's a trick that was used by a lot of my favorite bands of the era.

"Cum On Feel the Noize" is also one of those songs that many people in the US forget is a cover. This was originally written and recorded by the band Slade in the 1970's. Their version managed to top the charts in the UK, but barely made a dent across the pond. It's bizarre how two versions that have so many similarities can sound so different. The lead singers have extremely similar voices; both recordings overdub the backing vocals; yet somehow I find Quiet Riot's version infinitely superior.

Like so much about the music on this list, one version is familiar and comfortable to me, and the other is just different enough to make me squirm a bit each time I hear it. I'm sure there are quite a few people who are 10-15 years older than me who have similar experiences, except that they love the original and hate the cover. Music is weird like that.

What feels familiar feels right. I love this recording of this song. It rocks. While I usually prefer original songs by their original artists, there are always going to be exceptions. This marks the fourth of seven cover songs that appear on my list. Of those covers, the only ones that have original recordings that don't make me squirm are the songs that I first heard in their original form ("Hey Jude" and "Over the Rainbow/What a Wonderful World"). It's almost always that first version I hear that is my favorite (whether it's the cover or the original), unless the cover artist does something that fundamentally transforms the song (like Wilson Pickett and Israel Kamakawiwo'ole did).

So I like Quiet Riot's cover of "Cum on Feel the Noize."

Right now, "Cum On Feel the Noize" by Quiet Riot is (probably) my 66th favorite song of all time.

67. Ripple by Grateful Dead


"Ripple" by Grateful Dead

Written by Jerry Garcia and Robert Hunter
Produced by Grateful Dead and Steve Barncard
Released on American Beauty (November 1, 1970)
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While "Ripple" is one of the oldest songs on my list, it's actually the song in my top 100 that is newest to me. When I started putting this list together, a friend of mine sent me the top 100 lists that he and a few of his buddies had made a few years ago. I took the time to listen to their lists while on a road trip out west. It gave me the opportunity to get to know my friend a bit more while also affording me the chance to see if there were any gems that I had overlooked. For the most part, the lists reminded me just how diverse musical tastes can be. Even people who mostly listen to "classic rock" can have wildly divergent opinions about what classic rock is best.

Three songs from those lists really stuck with me: "Ripple" by Grateful Dead, "Strangers" by The Kinks, and "Every Step of the Way" by Steve Walsh. While the latter two songs failed to make my top 100, both they're in some of my playlists. (I actually keep thinking I should put "Strangers" on the list even now. It's an incredible song. Maybe it'll make the next list.)

Even though I only really found three new songs to add to my collection, I'm now even more paranoid about what else I might be missing. What other hidden gems are just waiting for my ears to find them?

Grateful Dead began their careers as part of the psychedelic music movement, but then they earned their esteemed reputation as a jam band. I first learned of them in the late 1980s because their video for "Touch of Grey" was on MTV a lot. It's a fantastic song and a fun video, but the song and video were all about how old they were, so I wasn't sure how seriously to take them. When I got into trivia and almanacs, I remember being amazed by the fact that they were the top grossing touring act in the country. They made so much more than any other band, and it wasn't close. What was so special about this group of old men?

Of course, they weren't actually that old. Jerry Garcia was in his 40's when I first heard "Touch of Grey." Even knowing that, I have yet to see a video or photo of him where he looks young. When he passed in 1995, he had just turned 53. While that may seem ancient in the realm of popular music, we really didn't get Jerry for nearly long enough. Jerry Garcia is so important to popular music. (My favorite random fact about him is that he played the pedal slide guitar on the Crosby, Stills, Nash. & Young classic "Teach You Children.")

"Ripple" felt both brand new and oddly familiar when I first heard it. It's simple and pleasant and easy. Those who think the Grateful Dead are only good in concert have clearly never listened to their American Beauty album. It is full of great recordings of great songs. "Friend of the Devil" or "Truckin'" may be the most familiar tracks to many, but "Ripple" is their masterpiece.

While the lyrics and melody are pleasant and enjoyable, the real clincher is the sing-a-long chorus that closes the song. I'm a sucker for just about any rock song that's recorded to sound like a whole crowd of people are singing along. The next song on my list actually uses that same trick (in a very different yet just as effective way).

So I'm going to keep listening to music that's new to me. I know there's more stuff out there that is begging for me to hear it. There will probably be plenty of stinkers along the way, but it will be worth it when I find that next great song to throw on a playlist.

Right now, "Ripple" by Grateful Dead is (probably) my 67th favorite song of all time.

Monday, June 22, 2020

68. Graduate by Third Eye Blind


"Graduate" by Third Eye Blind

Written by Stephan Jenkins and Kevin Cadogan
Produced by Eric Valentine and Stephan Jenkins
Released on Third Eye Blind (March 26, 1997)
Released as a single in August 1997
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Warning: Explicit Lyrics

Initially I wasn't convinced that I actually liked Third Eye Blind. "Semi-Charmed Life" was all over the radio. It was catchy and probably a little too poppy for my tastes at the time. I, of course, realize now that "Semi-Charmed Life" is awesome. At the time, however, I was still too caught up in the idea that my musical tastes somehow defined who I am as an individual. I still wanted to protect my fragile sense of what it meant to be me. I finally came around to Third Eye Blind when they released their music video for "Jumper." At that point I purchased their album on CD. I then learned that "Graduate" was one of their songs too. I had enjoyed hearing "Graduate" on the radio, but hadn't realized who it was by. It was much harder and more aggressive than their other stuff.

Now fast forward about 20 years, and I'm trying to put together my list. I wasn't set on including "Graduate," but it was definitely in contention. As I was converting playlists and stuff over to Spotify, I noticed something odd about this song. The version included with the album on Spotify was different from what I remembered. It's still the same song, but the arrangement is all weird. I thought maybe I was remembering things wrong, but the version on my CD was the one I always remember listening to. I then found that version attached to a greatest hits album on Spotify, so that was what was added to my playlists and ultimately, this top 100.

Now I have to wonder, why did Third Eye Blind change the version on the album for streaming services? "Graduate" was not a successful single for them, but it is still one of their more recognizable songs.

I ended up wondering if this was a result of the fabled Mandela Effect. For those of you unfamiliar, the Mandela Effect is a term used to note a shared "memory" that many people have that turns out to be false. Apparently lots of people thought they clearly remembered Nelson Mandela dying in prison, only to discover that he was in fact very much alive when he was released and elected president of South Africa. I do not suffer from that version, but I can relate to the throngs of people that for years thought the beloved family of bears they read about as children were named Berenstein Bears. Turns out their name has always been spelled Berenstain with an "a."

People love to account for this by making wild accusations about time travel. They think that somehow someone changed the past resulting in a present that doesn't quite match up with what we remember. Of course, what we are really experiencing is the fact that the human memory is often full of crap. People remember seeing, hearing, and witnessing things all the time that are unequivocally false. These are unequivocal facts: Memory is flawed and time travel does not exist.

I'm just grateful that the version of the song I remember still exists on my CD and on my hard drive and on a best of album. The new version is not the result of some errant time traveler. It is simply some stupid decision that someone made while uploading the song to various streaming services. Or maybe the band thought this other version was actually better and changed it on purpose. I don't really know. Apparently there are not enough fans of this song to write about why there are two different versions of it. All I know is that better or worse, the version I know is the version I am familiar with, and familiarity leads to comfort, and comfort leads to peace. So when I am seeking peace through listening to music, I want familiarity. That is what the correct version of "Graduate" by Third Eye Blind now means to me.

Right now, "Graduate" by Third Eye Blind is (probably) my 68th favorite song of all time.

Monday, June 8, 2020

69. Bell Bottom Blues by Derek and the Dominos


"Bell Bottom Blues" by Derek and the Dominos

Written by Eric Clapton and Bobby Whitlock
Produced by Tom Dowd
Released on Layla and Other Assorted Love Songs (November 9, 1970)
Released as a single in January 1971
Peaked at #91 on Billboard Hot 100
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How do I continue to try to write about these songs that have defined the soundtrack to my life at a time like this? It is a question I am increasingly struggling to answer. Or rather, I am struggling to find excuses to not blow up this whole silly project. I made a commitment to myself last year to create this list, start this blog, and write about these songs. I have already given up on the idea of completing this by my birthday in July as originally intended, but I still plan on doing the writing.

These songs mean a great deal to me. Music means everything to me. Seeing videos of protesters singing Bill Withers' "Lean On Me" was another reminder of the power and beauty of music. Music can unite us, sooth us, inspire us, and strengthen us. Music can help us mourn and help us pray; it can help us find peace and help us get amped. Music can be a powerful thing.

It's possible that "Bell Bottom Blues" is just a silly love song. No one is going to sing it at a protest. Like most of the songs on Layla and Other Assorted Love Songs, it was written while Eric Clapton was fighting addiction, shirking fame, and finding himself desperately in love with his best friend's wife. It's a beautiful song, and Clapton plays and sings with passion and pain. Unlike the passion and pain that has enveloped much of this country, it was a personal pain, but that does not make it any less real.

I once read that Paul McCartney was proud of the Beatles' legacy because almost all of their songs were about love. Famously, "Nowhere Man" was their first song they recorded that wasn't about love. Love songs can be incredibly powerful because love is something we all seek. We want and need love in our lives.

Ultimately, that is what is most disappointing about the news in recent weeks. The world witnessed a man murdered by the person who was tasked with protecting him. Taking another man's life like that is the antithesis of love.

All of us are seeking love and peace. Maybe not the kind of crazy passionate love that Clapton was obsessing over, but it is love. Love is the universal language. Love is the answer. Love is the royal way.

We need to figure out how to truly love one another. We need to look inside ourselves and examine who we are and what we need. We are all one. We are all human. The color of our skin, our gender, our sexual orientation, our religion: none of this really matters. Because we are all human, we all come from the same place, share the same history, share common ancestors, and live on the same planet earth. We have to find a way to live together without hating and killing each other. We have to find a way to love one another unconditionally.

While I do believe that "One infinite God, good, unifies men and nations..." I know that not everyone feels the same way. But even if you don't believe the same thing I do, we all want and are seeking peace. So no matter who is reading this, know that I do love you. I want you to be safe. I want you to find love. I want love to find you. (I also hope that that love is not married to your best friend.)

Right now, "Bell Bottom Blues" by Derek and the Dominos is (probably) my 69th favorite song of all time.